about

 

Kim Woong Yong



Works
Moving Image ++   

   Nameless head 

   if I only had the nerve

   gray matter 

   Wavelength

   Wake
   Demo
   Junk
   Quartz Cantos
   Soft Copy Drama
   Rehabilitation
   Homo duplex   
   Telepathy
   L’eau du fleuve 
   Palisade Park
   Crocodile tears



Performances

   Night and Fog

   Avoided names under the hard skin

   Ohotsk High Pressure



Installations++

   Organum II - skin graft 

   Organum I

   

Book/DVD/Writing ++
   Liquid Script
   Exhibiting the Moving Image
   Quartz Cantos
   Soft Copy Drama
   

   

 


© 2024 KWY


Mark




무빙 이미지 전시하기: 다시 본 역사  Exhibiting the Moving Image

프랑수아 보비에, 아디나 메이 편집         p.261                         
김웅용 옮김                                         미디어버스                               2019

ISBN 979-11-966934-7-3 94600

Supported by SFAC, ECAL and HES-SO(Switzerland)
Edited by François BOVIER and Adeena MEY in JRP, Zurich
Contributors: Julie REISS, Max ZOLLER, Guliana BRUNO, Erika BALSOM, Kate MONDLOCH, Greg de CUIR. Jr, François BOVIER, Maeve CONNOLLY
Translated to Korean by KIM Woong Yong
Published by Mediabus



Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces.

The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.